Стратегии синтеза в русской новеллистике 1920-х гг

Abstract

Using a wide spectrum of 1920s short stories, the author detects a tendency towards the synthesis of various types of art and literature, as well as creative methods, genres and styles. The internal heterogeneity of genre models is explained through the writers' aesthetic relationship to the historical chaos of period. Detailed analysis is given to the titles and finales, the poetics of the alogical and the grotesque, and the visual organization of the text.